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Manganese Mauve is just one of the bright and exquisite Professional Watercolours from A J Ludlow. Being based on a single pigment with excellent permanence and light fastness, ensures that this watercolour’s properties are exceptional. As with all our fine-art materials, Manganese Mauve watercolour is lovingly handmade in the UK by a skilled artisan from the best ingredients and finest pigments.
Manganese Mauve professional quality watercolour is supplied in a 15ml glass jar, because:
But more importantly, there is no need for unnecessary additives or formulation changes to make processing in our colour manufacturing workshop easier, allowing the Manganese Mauve watercolour made by A J Ludlow to be at the highest pigment concentration and the pigment’s unique properties to be uncompromised. Anything less would be at odds with the brilliance and performance demanded of a professional quality watercolour range.
This Professional Watercolour is prepared using the mixed phase inorganic metallic phosphate pigment, α and β-ammonium manganese (III) pyrophosphate, which gives the watercolour its bright red-shade violet colour, excellent light fastness and transparency. It therefore affords a transparent watercolour (as can be seen in the figure 1a below).
Figure 1: Assessment of (a) the opacity/transparency and (b) staining power of A J Ludlow Manganese Mauve Professional Watercolour*.
The staining power of Manganese Mauve is on the low side and so the watercolour is easily lifted out (see figure 1b above).
This watercolour has a fluid consistency and is easily transferred to the watercolour palette. The pigment used in this watercolour is relatively heavy and so has a natural tendency to separate slightly on standing in the jar. If this occurs, just stir the watercolour gently in the jar with a clean palette knife until the watercolour is fully homogeneous again.
Pigment Details: Ammonium Manganese (III) Pyrophosphate / Colour Index Pigment Violet 16 ( C.I. PV16)
Footnote:
*Details of how each watercolour is tested are given in the May 2021 ARTicle “Testing and Assessing the Properties of Watercolours – Part 1 ” (see also Part 2 of the ARTicle, which was published in June 2021).