Blog Post

ARTicles

Testing and Assessing the Properties of Watercolours - Part 2

Andrew Ludlow • Jun 01, 2021

Continuing our look at the properties that define watercolours as a modern fine-art medium and how to assess them.

In last month’s ARTicle “Testing and assessing the properties of watercolours Part 1”, we looked at the properties that define watercolour as a modern fine-art medium. These properties were listed as:

1. Transparency and Opacity;
2. Permanence or light fastness;
3. Granulation;
4. Staining and non-staining.
5. Purity of colour
6. Colour intensity or brightness
7. Tinctorial strength;
8. Wet to dry colour shift;
9. Re-solubility;
10. Wet-in-wet flow.

I also went on to described the tests I use to assess the first five; transparency and opacity, permanence or light fastness, granulation, staining and non-staining and purity of colour.
Let us now continue to review the other five tests in this month’s ARTicle and remind ourselves that the majority of the test pieces are prepared as granulated washes, as this method of preparation helps to control and reproduce the exact film weight when painting or brushing out watercolour.  

Test 6: Colour intensity or brightness 
The test piece is prepared by painting each watercolour out using a graduated wash. In so doing, it makes it easier to compare samples at similar film weights by moving the wash of the test sample up and down the one its being compared too, until the equivalent film weight can be seen. Colour intensity or brightness can be checked by eye.  

Comparing washes of A J Ludlow's Azomethine Green for Colour intensity.

Figure 1: By cutting the side off one of the test sample washes, the watercolours can be compared directly by placing them against each other.



Test 7: Tinctorial strength 

This is very much a comparative test of watercolours with identical pigments, as subtle hue differences will make it very difficult to assess tinctorial strength. The test watercolour is diluted with a white gouache. 


The white should be kept standard and the same tube/pot used for each test. Add to the colour in the ratio of 1 part to 10 parts white. The mix should be mixed thoroughly and then allowed to dry before making the comparison.

Comparing colour strength of various qualities of Ultramarine Blue watercolour.

Figure 2: Tinctorial Strengths of 3 different qualities of watercolour made using the sulphur containing sodium aluminosilicate pigment (C.I. Pigment Blue 29).



Test 8: Wet to dry colour shift

Paint out the colour and then allow it to dry. Then, at the same dilution paint the watercolour out again next to the dried film and make an immediate assessment of the colour between the two.


Test 9: Re-solubility

Place the watercolour on the palette and allow it to dry. Once dry draw a wet brush over the colour ten times and paint out the colour out in a block. Note the strength of colour of the painted film once it is dry. To compare against other watercolours, simply repeat the test as closely as possible and compare results.


Test 10: Wet-in-wet flow

Wet an area of watercolour paper in an approximate square, slightly lift one edge of the paper and support it. In the centre of the wet patch, dab a brush loaded with watercolour and hold it there for 5 seconds. Lift the brush up and monitor the flow of the watercolour. 

Measuring the wet-in-wet flow of a watercolour using a tape measure

Figure 7: Measuring the wet-in-wet flow of a watercolour.


 An assessment of how far the colour has travelled can be made once the paper is dry.


***

Professional and artist quality grades will perform differently to student grades, which in turn will behave differently to the ones primarily for education and children. Sometimes it is quite difficult to tell which is which from the labelling and packaging, and on painting them out. I recommend using these 10 tests to compare the performance between a Professional and student grade watercolour, the difference will be like “chalk and cheese!” 


I hope this ARTicle has been of interest to you. Its content is presented as a video, “Assessing Watercolour Properties” and can be found on our YouTube channel, “Ludlow Colours” along with our other videos. 

by Meiru Ludlow 01 Jun, 2024
We look forward each year to making new friends and seeing old ones, at the Living Crafts Festival of Art, Craft and Design, not only those amongst the artists and craftspeople, but also from the visitors who come to visit us during the four-day event.
by Andrew Ludlow 01 May, 2024
Eight months after launching the A J Ludlow “All you need to paint..” range of Professional Watercolour painting sets, Andrew examines why they are still causing quite a stir!
2 books, Field's
by Andrew Ludlow 01 Apr, 2024
In this tale of two books, Andrew turns back the pages of history and takes a glimpse at watercolours from the late-nineteenth century.
by Jonathan Pullen 01 Mar, 2024
In this month’s ARTicle, our guest artist Jonathan Pullen describes a 5-step process on how he approaches and creates a watercolour painting in the “Realism” style.
Watercolour painting of Burbage by Lesley Linley, using A J Ludlow Professional Watercolours
by Lesley Linley 01 Feb, 2024
It’s a little over a year since I began using A J Ludlow Professional Watercolours; it seems a good time to give an update to my first ARTicle in April 2023, on my experiences of using them and to tell you what I’ve done over the past year.
Painting with A J Ludlow Professional Watercolour paints in jars.
by Meiru Ludlow 01 Jan, 2024
Making New Year’s Resolutions is traditional at this time of year, so why not start your list with taking up watercolour painting as a new hobby? Meiru explores all the aspects and benefits of starting the new year with watercolour painting as a new hobby.
Painting the Singing Robin from the A J Ludlow
by Emma Jessen 01 Dec, 2023
In Emma Jessen’s ARTicle, she reflects on the importance to reconnect with our inner child in this fast-paced world. She argues that we spend too much time on activities that do little for us and suggests instead, redirect the time into invigorating ourselves through the playfulness of art.
An autumn palette of A J Ludlow Professional Watercolours.
by Meiru Ludlow 01 Nov, 2023
Whether you are a seasoned artist or just starting out, painting the autumnal scenery can be a fun and rewarding experience. With a little practice and patience, you can create a stunning work of art that captures the beauty and magic of this special season.
Sad tales of buying cheap watercolour paints.
by Andrew Ludlow 01 Oct, 2023
One morning at breakfast, Meiru drew my attention to a Facebook post she had seen in her feed. It had been posted on a US watercolour group page by a watercolourist who had bought a “bargain-brand” 50 tube paint set to fill into pans and was alarmed by the results.
Meiru painting en-plein-air at the A J Ludlow Colours Painting Café overlooking the Milford Haven
by Andrew Ludlow 01 Sept, 2023
As children we all enjoyed creating art, either as paintings or drawings. It was fun and seemed to supercharge our imagination and storytelling. Being creative is essential and part of our natural development as individuals.
Show More
Share by: